After Chris Pratt tweeted a shirtless photo of himself to flaunt the shape he had gotten into for "Zero Dark Thirty," he received a "giant ball of criticism" from his friends and helped land him the lead in one of the summer’s biggest movies.
The nation’s longest running film festival - the SF International - begins this week. EDGE writer Kevin Langston offers his choices of what to see at the festival (and what to look for at a festival near you).
The new film "Tennessee Queer" explores life as a rural gay in the South with a keen sense of humor. EDGE spoke to filmmaker Mark Goshorn Jones about finding laughs in what could be thought a more serious subject.
Johnny Depp loves playing divergent characters; but his role in "Transcendence" may be his biggest challenge yet. EDGE spoke to Depp about playing the man whose body dies but mind lives on in a computer.
"Free Fall" has been called the German "Brokeback Mountain," largely because it deals with a police officer torn between his girlfriend & a peer on the force. EDGE spoke to writer/director Stephan Lacant & actor Hanno Koffler about the film.
This year’s L.A. edition of the GLAAD Media Awards will feature filmmaker Linda Bloodworth-Thomason and the subject of her documentary "Bridegroom," Shane Bitney Crone, who faced the indignities of a pre-marriage equality era after his life partner died.
"The Railway Man" tells a fascinating story of war crimes and forgiveness, but never touches emotionally.
We don’t expect existential terror from a movie like "Disney’s Bears," but then, if we always got what we expected from movies, we wouldn’t have to go see them in the first place.
"Transcendence" attempts to be a sci-fi thriller and an essay on the limits of technology; but fails on both counts.
"Heaven is for Real" is a passable work of religious propaganda, but "Heaven Might Be For Real" could’ve been a truly thoughtful movie.
Pierre Dulaine, a renowned dancer, has decided to return to Jaffa, the embattled city outside Tel Aviv where he was born. He is bringing with him Dancing Classrooms, a program designed to improve young lives through ballroom dancing.
A powerful drama centered around an ex-convict’s surprisingly poignant friendship with a fifteen-year-old boy, "Joe" serves as a thrilling return to form not only for Nicolas Cage, but also for its eclectically gifted director, David Gordon Green.